Rhythm and Blues Xmas Concert Review: A Emotional Trip Returning to the 90s

This yearly Rhythm and Blues Christmas Concert featured a lineup of artists known for their holiday records. Instead of centering on seasonal songs, the night acted as a nostalgic reason for a trip back to the sincere and heart-rending sound of 1990s R&B.

Opening Performances: Classic Vibes

The group Dru Hill delivered iconic R&B in matching outfits, with music videos from the 2000s era displaying behind them. Following this, a performance of primarily ballads from Joe prepared the audience for the headlining acts.

The Moving Performance

The opening of Burna Boy’s Last Last cleverly transitioned into He Wasn’t Man Enough, tying in Braxton's musical heritage. Initially, her show with a live band seemed rooted in the time period of her greatest success.

Then, nine songs into her set, she spoke about her struggle with lupus and being told she might not sing on stage again. Singing Breathe Again in a single spotlight, she delivered a deeply emotional performance. “For as long as I live, I will never forget tonight,” she declared earnestly.

Driving guitar chords then catapulted the crowd into Long As I Live, cementing her grip over the crowd's emotions. She finished with an flawless, though slightly abridged, rendition of her iconic hit, Un-break My Heart.

The Group Boyz II Men: Harmony Masters

Taking the stage in dazzlingly coordinated white suits, Boyz II Men opened with Motownphilly. They performed hits like Water Runs Dry and On Bended Knee, demonstrating breathtaking three-part vocals that were both precise and responsive to their accompaniment.

Their performance featured covers of inspirations, including a memorable solo on Purple Rain, and songs influenced by them, like Bruno Mars’s Locked Out of Heaven.

A Touch of Holiday Spirit

Finally, the concert turned to the holiday theme with performances of Silent Night and Let It Snow. The show ended with a strong closing run of hits including One Sweet Day, I’ll Make Love To You, and End of the Road.

Overall Impressions

Although the evening's production experienced some glitches, and the feeling at times was of artists paying homage to their younger selves, the net effect was transportive. The crowd was briefly taken back to the peak era of R&B, going home dusted with sparkle rather than frost.

Tyler Williams
Tyler Williams

Lena Visser is techjournalist met focus op startups en digitale transformatie in Eindhoven.