‘Tis the time of year to relax on the couch and devour a box of festive treats in front of a great film, a poor film, or one that’s so bad it’s good.
This year, a crop of latest holiday movies aims to become part of our holiday traditions—perhaps even joining the ranks alongside timeless staples like Home Alone, Elf, Love Actually, and Die Hard (we won’t debate it).
Therefore, in a noble effort to sort the crackers from the turkeys, and to find the festive feeling, I watched as many new holiday releases as possible in a single day.
Beginning, optimistically, on a positive note. This release is the sole 2025 entry on a popular review site's list of the best 100 Christmas movies of all time.
The Jonas Brothers find themselves stuck in the UK after concluding their world tour and must return for Christmas. Their endeavors are hindered by an malevolent Father Christmas, who sings to state they won’t get home until they “rediscover their sibling bond.”
The banter between the squabbling siblings is entertaining even for the uninitiated, while followers will certainly notice lots of easter eggs as they attempt to get back using any means of transport necessary.
It’s a journey of epic proportions.
It’s not legendary, but is great for devotees and a good start to the day.
Holiday verdict: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their family members who will have to sit through it.
Famous performer Kiefer Sutherland appears as a Hollywood star roped into a traditional British stage show.
“A panto-what?” asks Sutherland’s “hard-to-work-with” and ageing action hero Brad Mack, who has hit a rough patch and whose manager has tricked him into thinking he’s starring in high-class London stage.
His Aladdin co-stars inform him he’s playing Buttons. “No I'm not,” he retorts. You can guess their reply. Except if you’re unfamiliar with traditional British theatre traditions.
There are some hilarious moments, some cockle-warming side stories, and the supporting actors is brilliant, too.
It’s the sort of feature that would be a bit naff at any other time of year, but is a great entertainment at Christmas.
Christmas tree rating: 🎄🎄🎄🎄
Danny Dyer shows up at the outset of this film, too, delivering a signature line for the next movie straight. Is this a new Christmas tradition?
This time, he’s a musical taxi operator who picks up Mr Sood, the newest interpretation on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by an actor from Kunal Nayyar and Christmas Karma is directed by the filmmaker behind Gurinder Chadha. The classic narrative progresses as the stingy Mr Sood is confronted by the ghosts of Christmas past, present and future, played by Hugh Bonneville, Billy Porter, and Boy George.
This South Asian reinterpretation is at least different from all the others, but unfortunately he’s not very charismatic and Nayyar’s acting is lifeless—a problem when he’s so the main character.
Christmas tree rating: 🎄🎄
Before lunch for a network's original festive film—which stars Guz Khan as a endearingly grumpy man who “doesn’t really do Christmas.”
But after he gets an £8,000 Christmas bonus at work, his wife (played by Morgana Robinson) talks him into blowing the money on a family trip to Lapland.
There’s just one problem—he discovers there was an mix-up with his bonus, which should have been £800, and he has to devise a plan for how to pay back the excess.
Enjoyable but forgettable.
Festive score: 🎄🎄
This is one of those Christmas films where the festive trappings are in the background—Christmas is the scene of the film rather than its raison d’etre—but it feels cosy and festive all the same.
High-powered businesswoman Sydney (starring Minka Kelly) is sent to a vineyard to do a deal for a sparkling wine company. On the way, she runs into a man in a literary haven who promises to show her a festive Paris.
A commentator recently claimed this is the best new Christmas film of the last several seasons. That’s a bit of a exaggeration, but it is a festive dalliance with a touch of class and gives the required heartwarming sensation.
The scene with a lengthy discussion about Die Hard is very good too.
Holiday verdict: 🎄🎄🎄
Young Chris, played by Lenny Rush, continues to believe in Father Christmas, in spite of the persuasion of his dad (played by James Buckley) to tell him the reality.
The answer is out there, and Chris embarks on a quest to find it with the guidance of a panel of well-known scientists and personalities.
It’s low-key but sweet, and ideal viewing while waiting for Santa to visit.
Festive score: 🎄🎄🎄
Michelle Pfeiffer is the matriarch of a quarrelling American family who reunite for the holidays—including other acclaimed actress Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer opens by name-dropping classic festive films like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before stating: “They need to make a movie about the unsung heroes of the holidays—moms.”
So that’s what this is, but in execution it’s really a jumble of those inspirations, at least until Pfeiffer’s character eventually finds her strength.
Christmas tree rating: 🎄🎄
The day’s taken a dip, but fortunately here’s a new offering in the packed genre of cliched, saccharine, over-the-top—and utterly watchable—festive fodder.
It’s a tale as familiar as can be: An American woman goes on a quest to a distant snowy land and ends up discovering romance.
In this case, Caprice Bourret plays a publisher
Lena Visser is techjournalist met focus op startups en digitale transformatie in Eindhoven.